Year One

Starring: Jack Black, Michael Cera, Oliver Platt
Directed by: Harold Ramis (“Groundhog Day”)
Written by: Harold Ramis (“Analyze This”), Gene Stupnitsky (TV’s “The Office”), and Lee Eisenberg (TV’s “The Office”)

Just when you thought terrible comedic parodies were recently monopolized by the two-headed monster known in Hollywood as filmmakers Jason Friedberg and Aaron Seltzer (“Date Movie,” “Epic Movie,” “Disaster Movie,” etc.), director Harold Ramis (“Groundhog Day”) tosses his name into the mix for at least one satirical take on a genre that really hasn’t seen the light of day since Universal Pictures ruined “The Flintstones” with a pair of live-action duds.

Before that, prehistoric comedy was rocky at best with movies like 1981’s “Caveman” starring Beatle Ringo Starr and 1992’s “Encino Man” about a thawed-out Neanderthal who is taught how to party hard. Now we have “Year One,” a timeline-jumping spoof starring Jack Black (“Nacho Libre”) and Michael Cera (“Juno”) that feels 20 years too late and a handful of well-executed gags short of keeping anyone’s attention.

In the film, Black and Cera play Zed and Oh, two simpletons who are shunned by their tribe for their inadequate hunting and gathering skills. Tired of being ridiculed by the other tribesmen and rejected by the tribeswomen, Zed decides to take a bite out of a forbidden apple from the Tree of Knowledge. When the rest of the tribe finds out he has broken the law of the land, he is cast out of the village for fear that he is cursed.

With nothing to live for back at the village, Oh joins his hairy friend on a road trip by foot through undiscovered lands and time periods. During their adventure, the odd couple dive into the Old Testament where they meet Biblical characters such as Cain and Abel (Paul Rudd and David Cross in an unfunny exchange of sibling rivalry and violence) and even stop Abraham (Hank Azaria) from sacrificing his only son Isaac (Christopher Mintz-Plasse, AKA McLovin of “Superbad” fame). Later on, Abraham reveals he is the mastermind behind circumcision when he recommends to Zed and Oh that they should allow him to perform the surgery because “it’s going to be a really sleek look that’s going to catch on.”

The rest of the film follows our journeymen to the unholy city of Sodom (described here like a first century version of Las Vegas) where they travel to save the women they love after they are captured and forced into slavery. It’s a storyline that is knocked out of sync by one uncreative skit after another.

Relying on cheap and childish jokes (most revolve around bodily excrement and an oily Oliver Platt) and unmemorable one-liners, “Year One” falls face first somewhere in the rear of the evolution line (maybe between the amoeba and the chimpanzee). It’s a primitive, pun-filled hodgepodge that screams Monty Python without any of the wit or style.