Judy Reyes
"Little Girl Lost"
Interview by Kiko Martinez
If
you don’t recognize actress Judy Reyes from her no-nonsense role
as nurse Carla Espinosa on the hit show “Scrubs,” chances are
you probably don’t own a TV set.
With “Scrubs” in its
eighth and final year, Reyes begins to anticipate what the
future will look like for her once the stethoscopes are put away
and the hospital doors closed.
She starts the
transitional process with the Lifetime movie “Little Girl Lost:
The Delimar Vera Story.” Based on actual events, “Little Girl
Lost” tells the story of Luz Cuevas (Reyes), a Philadelphia
mother of a newborn who is devastated when she is told her baby
has been killed in a house fire.
Unwilling to believe
her little girl is gone, Luz lives in anguish for six years
until she finds out that her maternal instincts were right all
along and that her baby had been kidnapped before the house was
set on fire.
During an interview,
Reyes, 40, talked about researching for the role and what she is
looking forward to for the rest of her career.
How did you get
involved in this project?
Judy Reyes: I got a
call from my agent telling me that Lifetime wanted to offer me
this role for “Little Girl Lost.” They sent me the script and I
responded to it emotionally. I was really moved. I immediately
started doing research on this woman and found lots of footage
on the internet. Everything just started falling into place.
Since this is a
movie based on a true story, did you remember when this tragedy
in Philadelphia took place?
I didn’t, but I
spoke to my mom about it. This was a story predominately told in
the Spanish-language media. I spoke to some of my girlfriends
who live on the East Coast and they had heard about it. But I
started doing all the research and getting all my material to
recreate the story and I kept talking to people who remembered.
Did you get to meet
Luz Cuevas or any of the family?
No, I didn’t. I made
efforts to…reach out to her, but she is a woman who is
protecting herself and her family. I think she was very cautious
about opening herself up again, which I respected. I think in
hindsight it gave me freedom to be as honest as I could without
letting whatever is happening now in her life affect that. I did
hear that she was very happy about how [the film] was turning
out.
I’ve seen interviews
with her and she does seem very private, but at the same time
she did sell the movie and book rights to her story. Why do you
think she wanted to do this?
She is a very poor
woman that came from a very poor background. The situation she
found herself in wouldn’t have gone as far as it did if she had
been an educated woman with money. I don’t think the system
would have been able to take advantage of her. She certainly
does have the right to sell the story so this doesn’t happen to
somebody else in her position. She has the right to protect
herself and not be exploited at the same time.
If you were to have
met her, did you have questions prepared that you wanted to ask?
Of course, but none
of them actually had to do with the event. I wasn’t prepared to
make her relive everything. In the media blitz, everything has
been asked and covered already. The wonderful thing about the
internet is that you can find all the coverage. I just wanted to
ask her questions about her. How old is she? Where did she grow
up? How old was she when she came to this country? I wanted to
have that in my identity when I personalized her.
What more are you
looking forward to now that “Scrubs” is in its final year?
I anticipate doing
more things like this film and springboarding on the wonderful
education it has given me and moving forward and taking
advantage of all that. I want to explore all my options. I want
to do more drama, more comedy and taking a lot of chances. I
want to go back and do a lot of theater. The possibilities are
endless and I’m excited about the future.