The Grand Budapest Hotel

“Continues to elevate Wes Anderson’s filmmaking charm and spark more artistic inspiration.”

Need For Speed

“Spends most of its time glorifying completely reckless driving all in an often obnoxiously loud presentation.”

Tim’s Vermeer

“Full of humor, intrigue, fantastic reveals. It’s sure to spark a debate in the art community.”

Non-Stop

“Features a final act that is predictable and absurd, even considering the ridiculous synopsis.”

Pompeii

“It’s probably time Anderson fully realized he’s one of the dullest tools in the shed.”

RoboCop

“Sets its sights on the ethical dilemma of drone warfare…with a muddier, more somber tone.”

Monuments Men

“Clooney’s cheeky ‘Ocean’s 11’-style approach wasn’t in the best interest of the narrative in the least bit.”

Gloria

“Suffers from narrative rough patches where the film becomes a little dull and uneventful.”

That Awkward Moment

“Unpolished. The script is formulaic and the conversations feel unnatural and forced.”

The Invisible Woman

“Their romance never quite hits a fever pitch and the most affecting scenes come as consequences.”

Gimme Shelter

“With an inauthentic and blatantly heavy handed script, Hudgens has nowhere to go emotionally.”