Snowden
“Feels extremely one-sided and doesn’t allow audiences to make their own decision.”
Sully
“A well-performed, acceptable tale of American heroism, despite Eastwood’s complete lack of subtlety.”
Hell or High Water
“Takes a rudimentary bank robbing plotline and elevates it to truly special heights.”
The Infiltrator
“The best thing the film has working for it is its sense of tension. It does, however, become plodding.”
Popstar: Never Stop Never Stopping
“At its best when it is making specific, pointed jokes.”
Captain America: Civil War
“The franchise seems to be in capable hands with the Russo brothers.”
10 Cloverfield Lane
“A complete bait and switch, and perhaps worse, the creation of tension only for the sake of tone.”
Gods of Egypt
“The blame should be shouldered by a really mediocre script that can’t decide what it wants to be.”
Where to Invade Next
“By inserting himself so firmly into the narrative, Moore created an unfunny and uneven documentary.”
Hail, Caesar!
“A complete slog that churns its way through its runtime and wastes its spectacular cast.”
The Finest Hours
“Poorly written. It feels excruciatingly long and each scene is more tedious than the last.”
Anomalisa
“An underwhelming and surface level film that never truly inspires enough empathy.”