Only Lovers Left Alive
“It’s pleasing to see what director Jim Jarmusch is able to do with his non-formulaic narrative.”
Dom Hemingway
“This is Law’s show and he does enough with this dialogue-driven script to keep things interesting.”
Under the Skin
“A trippy, metaphysical sci-fi mindbender that goes from intriguingly weird to downright loopy.”
Draft Day
“Director Ivan Reitman and crew manage to suck all exhilaration and personality from the story.”
César Chávez
“A fine tribute…but it is not something that will have a lasting effect…as other social-issue films.”
Enemy
“Demands viewers not to expect simple solutions for the puzzling scenarios presented onscreen.”
The Grand Budapest Hotel
“Continues to elevate Wes Anderson’s filmmaking charm and spark more artistic inspiration.”
Better Living Through Chemistry
“Few of the secondary characters give Sam Rockwell much support.”
Pompeii
“It’s probably time Anderson fully realized he’s one of the dullest tools in the shed.”
The Past
“For those who like a good mystery…Farhadi’s subtle narrative style is emotionally satisfying.”
Monuments Men
“Clooney’s cheeky ‘Ocean’s 11’-style approach wasn’t in the best interest of the narrative in the least bit.”
Labor Day
“An extreme disappointment. Ends up being a waste of a lot of great talent.”