The Croods
“Funny sight gags are what will keep children under the age of eight the most fascinated.”
A Place at the Table
“It’s a slap to the head of viewers who are unaware that hunger is not only a third-world issue.”
Dead Man Down
“It’s unfortunate Oplev’s foray into the American film industry had to start with such a whimper.”
Bless Me, Ultima
“It’s a commendable attempt, but one that ultimately falls short under the scope of the story.”
Amour
“Affecting…Director Haneke’s gentle way of conducting the issues at hand are natural and poetic.”
Warm Bodies
“A zombie romantic comedy at a loss for believable plot devices and consistent laughs.”
Rust and Bone
“Director Audiard brings his very unique style and elevates everything from the screenplay forward.”
Broken City
“Wahlberg and Crowe honestly look unmotivated and bored. Don’t feel bad when you do, too.”
Zero Dark Thirty
“Outstandingly acted, thoroughly cohesive and profoundly intriguing…Best film of 2012.”
Gangster Squad
“A glossed-over crime drama that feels like it’s been pulled straight from the Sunday funnies.”
Not Fade Away
“A film marred with undeveloped plot lines, choppy editing and a serious lack of direction.”
Django Unchained
“A sharply-written spectacle masked as a spaghetti western. Sergio Leone would be proud, traumatized.”